Functions and Artistic Specificity of Folk Earthenware in Customs and Rituals of the Calendar Cycle of the Ukrainians
Parole chiave:
folk earthenware, holidays, Christmas, Easter, rituals, customs.Abstract
The given paper analyzes functions and artistic features of Ukrainian folk earthenware which was used in customs and rituals of the calendar year, predominantly while celebrating the biggest religious holidays, namely Christmas and Easter. In particular, the author explores such items as triple candlesticks, various earthenware meant for blessing holy water, other types of crockery, particularly pots, round pots, jugs, O-shaped flat jars, flat jars, bowls, makitras, doughnut bowls, goose, piglet and fish roasters, Easter bread moulds, baskets, Easter eggs etc. Folk earthenware has been examined through the context of preparations to and celebration of calendar holidays, which were associated with the beliefs the Ukrainian people had, as well as their analogues in other European people’s traditions.Riferimenti bibliografici
Chubynskyy P. 1995, The Wisdom of Centuries. UkrainianEthnology in the Heritage of P.Chubynskyy, 2, Kyiv: Mystetstvo.
Danchenko L. 1974, Folk Earthenware of Middle Dnieper Ukraine, Kyiv: Mystetstvo.
Fryś-Pietraszkowa E., Kunczyńska-Tracka A., Pokropek M. 1988, Folk Art in Poland, Warszawa Arkady.
Georgieva B., IvanchevI., Peneva L. 1980, A Folk House, Sofia: Bulgarian Academy of Sciences Publishing House.
Heppener N. 1928, ZherdenivkaPotters the Lavrenyuky and the Polyvyany, Kyiv: Vydavnytstvo Kyivskoho Krayevoho Silhospmuzeyu.
Hyrman V., Kozacha S. 1996, Ceramic Centres of Ternopil Region, In «Ukrainian Pottery», Opishne: Ukrainske narodoznavstvo, №3: 174–186.
Ivashkiv H. 2007, Decor of Ukrainian Folk Earthenware of the 16th– first half of the 20th cc., Lviv: Instytut Narodoznavstva NAN Ukrayiny.
Ivashkiv H., Klymenko O. 2018, Painted Bowls of Podillya. An album, Kyiv: Mayster knyh.
Kalesný F. 1956, Folk Crafts in Slovakia, Bratislava: Osveta Martin.
Khanko О. 2001, Pottery in Komyshnya, In «Ukrainian Ceramic Studies», Opishne, № 1: 264–280.
Mateyko K. I. 1959, Folk Earthenware of the Western Regions of Ukrainian Socialist Rebublic (a Historical and Ethnographical Research), Kyiv: Vydavnytstvo Akademiyi Nauk Ukrayinskoyi RSR.
Metka L. 2004, Pottery of Kharkiv Region, In «Ukrainian Journal for Ceramic Studies», № 1: 102–111.
Mishchanyn V. 2005, The Northern Group of Small Centres of Opishne Ceramic District (second half of the 19th– 20th cc.), Opishne: Ukrayinske Narodoznavstvo.
Plicková E. 1959, PozdišovcePottery, Bratislava: Slovak Belles-lettres Publishing House.
Polonec A., Turzova M. 1962, PukanecPottery, Bratislava: Osveta.
Poshyvaylo О. 1993, An Illustrated Dictionary of Folk Pottery Terminology of Left-bank Ukraine (Hetmanshchyna), Opishne: Ukrayinske Narodoznavstvo.
S. a. 1858, Everyday Life of a Malorussian Peasant ( Mostly in Poltava Huberniya), In An Ethnographical Volume Published by the Emperor Russian Geographical Society, Saint-Petersburg, № 3.
S. a. 1970, The Wedding, №1, Kyiv: Naukova dumka.
Samarin Yu. A. 1929, Podillya Potters, Moscow: Nauka i prosveshcheniye.
Shulhyna L. 1929, Pottery in Bubnivka in Podillya, In Ethnology Materials, Kyiv: Z drukarni NTSH, №2: 111–200.
Spaska Ye. 1929, A Jug with a Cross (A Sketch from the Cycle “Chernihiv Pottery ”, In Ethnology and Anthropology Materials, Lviv: Z drukarni NTSH, Vol. ХХІ–ХХІІ, №1: 36–41.
Sveshnikova T.N., Tsyvyan T.V. 1979, On the Functions of Crockery in West-Roman Folklore, In Ethnic History of West Romanians. Ancient Times and Middle Ages, Moscow: Nauka, 147–190.
Tomuh P. Pottery in Serbia, Belgrad: The Ethnography Museum in Belgrad, 1983.
Toporkov A.L. 1995, A Pot, In Slavonic Antiques: an Ethnolinguistic Dictionary, №1, Moscow: Mezhdunarodnyye otnosheniya.
Vondruškowá A., Vondruška V. 1987, Traditions of Folk Creativity. Folk Material Culture in the Czech Republic and Moravia, Artia: Interpress.
Voropay О. 1993, Customs of Our People. An Ethnographical Sketch, Kyiv: Oberih.
##submission.downloads##
Pubblicato
Come citare
Fascicolo
Sezione
Licenza
Copyright (c) 2020 Halyna Ivashkiv
TQuesto lavoro è fornito con la licenza Creative Commons Attribuzione 4.0 Internazionale.
Gli autori mantengono i diritti sulla loro opera e cedono alla rivista il diritto di prima pubblicazione dell'opera, contemporaneamente licenziata sotto una Licenza Creative Commons - Attribuzione che permette ad altri di condividere l'opera indicando la paternità intellettuale e la prima pubblicazione su questa rivista.
Gli autori possono diffondere la loro opera online (es. in repository istituzionali o nel loro sito web) prima e durante il processo di submission, poiché può portare a scambi produttivi e aumentare le citazioni dell'opera pubblicata (Vedi The Effect of Open Access).
